By choosing film script writing projects in genres that you are familiar with, you will save yourself a lot of research and avoid many common errors that vary from one genre to the next. You should also think about what actors might want to be in your movie, or which people would fit the parts that you have created best. There is a lot of thought and creativity that goes into film script writing, and you should be able to take the words of your script and create a blueprint, if you will, that shows you what every little detail will look like in the form of a film once it is off paper.

Film script writing can go very wrong if you try to do something that you’re not familiar with. Writing about topics or within genres that you don’t understand or know much about might seem like a fun challenge to broaden your horizons, but it can actually prove to be detrimental to your final product because the quality won’t be as high. You should never just write a script and be done with it. You have to have a vision, and turn that vision into a script. Once you have done that, you must make that script become a reality that is aligned with your vision that you initially had.

Successful film script writing takes a lot of effort. You cannot rush through the process or try writing scripts that you know nothing about. The best stories come from people who have experience or knowledge of a topic, or who write about personal experiences for the ultimate knowledge of what is going on. Becoming a screenwriter is not going to be easy, but by knowing what works and what doesn’t it should be much simpler than it would be otherwise. Keep these things in mind when working on your film script writing projects.

MWP (Michael Wiese Productions) is the world’s leading publisher of books on screenwriting and filmmaking. It started in 1981 when Michael Wiese wrote and published the first book in what is now a line of over 130 books. Our goal is to provide information and inspiration on all aspects of filmmaking to students, emerging filmmakers and professionals through the brightest minds in the creative community. At www.mwp.com you’ll find more free resources about film script writing, writing screenplays, filmmaking books, and interesting screenwriting books. and professionals.

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In embarking on the journey to get the perfect script, there are three directions you can take:

• Write the script yourself

• Option a script already written

• Hire a writer

Writing your own script

As mentioned previously, the cornerstone of a good movie is a good, well written script. The essence of a good script is a good story. The foundation of a good story is inspiration, research, and the ability to develop an idea into a commercially (if this is the route you wish to take) viable product that audiences will want to see.

Before you decide to spend an exorbitant amount of time working on a project, it’s important to know the purpose of the film at the very beginning. Are you going to make a movie for art’s sake, so that the film is an extention of your vision and style, or maybe even to learn the process of making a no budget film? Or are you looking to creat a commercially viable movie that can be sold and (hopefully) generate a profit?

When it comes to developing a story, you should write about what you know. The best piece of advice I can give you is to write what you have seen, what you have experienced, and what you have lived in life. How can you truthfully write a story about the joys and difficulties of parenthood, if you’ve never been a parent? Granted, you may have seen how parents interact with their children, but it’s not the same as if you were to live it yourself. How can you write a real love story that connects with the viewer, if you have never been in love? Writing about love, death, betrayal, loneliness, or happiness without experiencing it seems like a recipe for an empty story bereft of a soul. Filmmaking is about honesty, and writing scenes and moments that truthfully resonate with the viewer can be an insurmountable task unless you are personally familiar with the material you’re trying to convey.

Option a script already written

As a writer, you can create a script around an existing work, such as a book, poem, short story, novella, or even a personal account of the writer. However, to simply adapt the idea into a screenplay could violate copyright laws and expose you to legal liability.

One way of legally using material is to option the rights to use it. An option is a short-term lease that grants a producer the legal right, but not the obligation, to adapt material into a screenplay, produce it oneself, or try to sell it to another production company.

The ability to option a book or story opens up thousands of possibilities, so one way of finding a good story is to go to the bookstore and start reading. If you find a book that you like, call the publisher and get the author’s contact information. Explain how you want to use the book and how you would like to adapt it into a screenplay and ask if the author is willing to consider an optioning the material. The author may want money up front, a percentage of the profits, credit, or any number of back-end profit points that would need to be negotiated. If the conversation gets this far, it’s best to contact an entertainment attorney to help negotiate with the author on your behalf and draw up the necessary legal paperwork.

Hire a writer

Oftentimes, writers are either skilled in writing structure or in writing dialog and character, so finding a writing partner who complements your skills can lead to a much better script. Finding a suitable writing partner can be as easy as contacting local writing organizations, colleges, or university programs with writing courses or seeking writers online or through film industry contacts. When looking for a good writing partner:

• Ask for a writing sample.

• Find a partner whose strengths are your weaknesses.

• Talk with your potential writing partner about the story and make sure he likes the genre, story, and characters before working with him.

• Make sure your partner has the time and commitment to work on the script, especially if it’s being written on for free (otherwise known as “spec”).

• Work out the credit he will receive as well as payment terms if the script is sold, optioned, and/or produced.

Hopefully, the aforementioned details have given you some “food for thought”. Developing a script for your no budget film should never be taken lightly, and IS the most important step of the filmmaking process.

Author by Guy Ryerson

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